在修宇穿越至云水星的15年后，他又回到了儿时的故乡，那里依旧纷乱不止。 由装甲到基因强化过数轮的改造战士自视“超人”，目空一切；能令时光回溯的超凡科技掌握在没有道德的人手中；无处发声的地方沦为怪物的养蛊地...... 与此同时，越来越多觉醒...

在修宇穿越至云水星的15年后，他又回到了儿时的故乡，那里依旧纷乱不止。 由装甲到基因强化过数轮的改造战士自视“超人”，目空一切；能令时光回溯的超凡科技掌握在没有道德的人手中；无处发声的地方沦为怪物的养蛊地...... 与此同时，越来越多觉醒...

From the author of War Horse comes a gentle, evocative story of a young city boy’s summer in 1960s rural Provence. When Yannick learns that he is to stay with his aunt Mathilde and her family in the South of France, he cannot believe his luck. He has rarely been out of Paris, and if the paintings in his mother’s beloved Cézanne book are to be believed, surely Provence is pa...(展开全部)

在经历亲人离世过后的丁玫文，好像在恢复不到从前的认真洒脱，身为法医的她遇上了带着“任务”的心理咨询师南夏，两人在警局相遇在一次次的任务中，建立亲密关系合作也越来越默契，原来丁玫文并没有表面上那么高冷坚强逐渐向南夏敞开了心扉，可在一次任务中南...

在经历亲人离世过后的丁玫文，好像在恢复不到从前的认真洒脱，身为法医的她遇上了带着“任务”的心理咨询师南夏，两人在警局相遇在一次次的任务中，建立亲密关系合作也越来越默契，原来丁玫文并没有表面上那么高冷坚强逐渐向南夏敞开了心扉，可在一次任务中南...

From the author of War Horse comes a gentle, evocative story of a young city boy’s summer in 1960s rural Provence. When Yannick learns that he is to stay with his aunt Mathilde and her family in the South of France, he cannot believe his luck. He has rarely been out of Paris, and if the paintings in his mother’s beloved Cézanne book are to be believed, surely Provence is pa...(展开全部)

Sixteen all-new stories by science fiction’s top talents, collected by bestselling author George R. R. Martin and multiple-award-winning editor Gardner Dozois From pulp adventures such as Edgar Rice Burroughs’s Carson of Venus to classic short stories such as Ray Bradbury’s “The Long Rain” to visionary novels such as C. S. Lewis’s Perelandra, the planet Venus has loomed almost...(展开全部)

Sixteen all-new stories by science fiction’s top talents, collected by bestselling author George R. R. Martin and multiple-award-winning editor Gardner Dozois From pulp adventures such as Edgar Rice Burroughs’s Carson of Venus to classic short stories such as Ray Bradbury’s “The Long Rain” to visionary novels such as C. S. Lewis’s Perelandra, the planet Venus has loomed almost...(展开全部)

Beneath the original Venetian glass and rosewood case at La Specola in Florence lies Clemente Susini’s Anatomical Venus (c. 1790), a perfect object whose luxuriously bizarre existence challenges belief. It – or, better, she – was conceived of as a means to teach human anatomy without need for constant dissection, which was messy, ethically fraught and subject to quick decay. Th...(展开全部)